The Idea
When I began my "Tree" series for
the Arts Project (running November 1 - November 12), I decided I wanted to try something different for the show that I hadn't done before which is to do some high-end prints of my work.
I'm really fascinating by printmaking in general and think my line style suits it. I really like the look of Letterpress printing, so I did some research of who in the area could do this for me.
Letterpress printing was for years the normal form of printing text from the mid-15th to the 19th century. It's relief printing using a "type-high bed", in which a reversed, raised surface is inked then pressed onto a sheet of paper to obtain a positive right-reading image. It provides a really beautiful, hand-made quality to things.
I found just who I was looking for with Vincent Perez at
Everlovin' Press in Kingston, Ontario. Letterpress printing is a laborious process that requires someone well-schooled in the technique, and Vincent is a print expert who oversaw the Dawson Printshop at NSCAD University (which has one of the largest collections of moveable type in Canada).
The image I selected to get prints made from is this one below, of a Hackberry tree on Colborne St., which was voted the "
People's Favourite Tree" in the 2010 Amazing Tree Quest contest.
And, since the trees of London provided the inspiration for the series, I thought I could also give back to them a bit by donating some proceeds from the print sales towards
ReForest London, a great non-profit organization that's doing its best to look after the trees of our community.
The Process
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The Original Scanned Image. For the print I thought I would like to make it look a little like a tourism poster to promote London (also known as the Forest City), so hand-lettered some text as a separate file to be dropped in. |
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I sent a high-rez digital file (1200 DPI) to Vincent, which he then made a plate from. |
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He then applies ink to the plate, and runs the paper through the press. For the colours, Vincent works from Pantone colours which I supplied. I used Lagoon Blue ( Pantone 16-5418) and Grass Green (Pantone 15-6437). |
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For the 2-colour prints (black and one-colour), the paper must pass through the press twice - one for the colour background, one for the black foreground. Paper is 130 lb Coronado (beautiful heavy stuff). |
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The paper is then cut to size (12 x 16 in this case). |
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Look at that perfect registration! The prints then just to need to dry, and they're all set. |
The Result
I did a few different variations of the print including one of the tree with no text. Here's what the finished ones look like. I have them all packaged up individually in acid-free sleeves and mat boards. They are $35.00 each with $5.00 going towards ReForest London.